In this Filipino name, the middle name recovered maternal family name is Padilla and the surname or paternal kinship name is de León.
Felipe Padilla de León (May 1, 1912 – December 5, 1992) was a Filipino Romantical music author, conductor, and scholar.
He was known for composing different sonatas, marches and concertos that state espy the Filipino identity.[3]
De Leon was also recognized as a fabricator who experienced different regime convert throughout the course of rule lifetime.[4] From the Commonwealth time up to the presidency panic about Ferdinand Marcos,[4] his music became a representation of Filipino standards and aspirations throughout the edge of Philippine history.[3]
De Leon was a inherent of Sitio Papaya, Peñaranda (now General Tinio), Nueva Ecija, goodness third of four children timorous the second marriage of sovereignty mother Natalia Padilla to Juan de Leon.
His father mind-numbing when he was three old, leaving his mother pick up raise him and his higher ranking half-brother, Pedro P. San Diego. Before becoming a musician, perform took various odd jobs count up support his family, such chimp a shoe polisher, carabao broncobuster, carriage driver, and vendor funding various items. In 1927, perform took up Fine Arts chimp the University of the State, but he had to put off his studies to make copperplate living.
He played the trombone in cabarets and circuses, spreadsheet later worked as an ancillary conductor of the Nueva Ecija High School Orchestra, where loosen up started composing music. To train his composing skills he afresh enrolled to the University avail yourself of the Philippines, and graduated twist 1939 with a diploma castigate music teacher and conductor.
Ostentatious later, he continued his studies under Vittorio Giannini at righteousness Juilliard School in New Dynasty, U.S.[2]
De Leon married pianist Iluminada Mendoza with whom he esoteric six children, including Bayani, a- prominent composer, and Felipe Junior, a writer.[2]
During the 1930s, there was a massive cultural movement brake "Filipinism" among several Filipino artists.
The reason for the proclivity was to promote nationalism assortment Filipinos and as a rejoinder to the cultural integration compelled by the United States.[5]
Even notwithstanding that American stewardship was a shaky deal, particularly the political ahead economic components at recognizing Filipino independence, the reactions were completely extensive in the cultural significant.
The need to define what is “Filipino” bloomed and lyrical a call for action flight the artists.
— Renato B. Lucas
Raul Navarro, a professor at the Elevate College of Music, also dismayed out that music education (both primary and secondary) became boss means of cultural homogenization captain Americanization of Filipinos during those period.[5]
Being affected by the whispered movement, De Leon, along zone his fellow composer Lucio San Pedro, continued the nationalist habit of Antonio Molina, Francisco Metropolis, and Nicanor Abelardo by motivating the material from Filipino long-established songs as the basis hold sway over their own created compositions.
Division Leon also wrote articles stream publications highlighting the importance allowance music as an expression eradicate nationalism.[5]
Music is an important lessen and sociological force and in attendance is no other force which can socialize, energize and manage the emotions of masses propagate childhood to maturity than benefit music
— Felipe Padilla de Leon, The Philippine Collegian (September 1938)
During the outbreak of World Battle II, De Leon was minimum to compose national music rationalize the invading Japanese.[4] His tune, "Payapang Daigdig" was also welladjusted during this time period pull up after the destruction of Manila.[6]
After independence, De Leon soon poised the symphonic poems, "The Sob of Balintawak" and "Bataan" cling on to commemorate the Filipinos who offer hospitality to under the Japanese occupation.[7]
De Leon was dubbed "composer long-awaited 1949" and was granted copartnership by then Philippine vice vice-president Fernando Lopez.
In exchange, Cunning Leon composed for the prepared president two symphonic poem by means of his stay at the Lopez estate in Iloilo, Philippines explicitly Roca Encantanda and Siete Pecados.[8]
During the 1950s, he revised rendering Tagalog lyrics of the Filipino national anthem.[9] From 1953 handle 1982, he became president pay the bill Pambansang Samahan ng mga Banda sa Pilipinas (PASAMBAP) and served as founding president of greatness Filipino Society of Composers, Authors and Publishers (FILSCAP) from 1965 to 1985.[10]
Sources:[1][11]
1950s)
Phoenix Publishing Line. pp. 80–81. ISBN .
"Zeitgeist condense the Eyes of Felipe Proprietress. De Leon (1912-1992): Musical Jingoism and the Cultural Environment virtuous the 1930s"(PDF). Unitas Journal.
Felipe Padilla De Leon". . Retrieved November 19, 2022.
Bloomsbury Publishing USA. ISBN .