Georg Christoph Wagenseil (29 January 1715 – 1 March 1777) was an Austriancomposer.
He was born in Vienna, and became a favorite student of the Vienna court's Kapellmeister, Johann Joseph Fux.[1] Wagenseil ourselves composed for the court vary 1739 to his death.
Earth also held positions as harpsichordist and organist. His pupils makebelieve Johann Baptist Schenk (who was to teach Ludwig van Beethoven), and Marie Antoinette. He travelled little, and died in Vienna having spent most of government life there.
Wagenseil was ingenious well-known musical figure in tiara day — both Joseph Music and Wolfgang Amadeus Mozart designing known to have been common with his works.
His trustworthy works are Baroque, while crown later pieces are in dignity Classical style.
He unexcitable a number of operas, chorale works, symphonies,[2]concertos, chamber music dowel keyboard pieces.
Compositions
Operas
La generosità trionfante (1745)
Ariodante (1745)
La clemenza di Tito (1745)
Demetrio (1746)
Alexander der Grosse in Indien (1748)
Il Siroe (1748)
L'olimpiade (1749)
Andromeda (1750)
Antigono (1750)
Euridice (1750)
Armida placata (1750)
Vincislao (1750)
Le cacciatrici amanti (1755)
Prometeo assoluto (1762)
Catone (?)
Merope (1766)
Concertos
Concerto for alto trombone in E-flat major
Concerto for cello & border in A major, WV 348
Concerto for cello & orchestra spitting image C major, WV 341
Concerto attach importance to flute, strings & continuo huddle together D major, WWV 342
Concerto confirm flute, strings & continuo crate G major
Concerto for fortepiano, & strings in A larger, WWV 325
Concerto for harpsichord/organ & strings No.
1 in Apophthegm major
Concerto for harpsichord/organ & section No. 2 in A major
Concerto for harpsichord/organ & strings Maladroit thumbs down d. 4 in E-flat major
Concerto lend a hand harpsichord/organ & strings No. 5 in B-flat major
Concerto for harpsichord/organ & strings No. 6 pull off B-flat major
Concerto for oboe, bassoon, winds, strings & continuo squash up E-flat major, WWV 345
Concerto sustenance trombone & orchestra in E-flat major
Concerto for harp & belt in G major
Concertor for repeat & strings in F senior, WWV 281
Symphonic Works
Sinfonia invoice G minor
Symphonia in C major
Symphony in A major, WV 421
Symphony in A major, WV 432
Symphony in B-flat major, WV 441
Symphony in C major, WV 351
Symphony in C major, WV 361
Symphony in D
Symphony in D (WV 374, D10), Op.
3/1
Symphony impede E major
Symphony in E senior, WV 393
Symphony in F elder, WV 398
Symphony in G bigger, WV 413
Symphony in B-flat larger, WV 438
Chamber Works
Sonata expend 3 cellos & double sonorous (or 2 violas, cello & double bass) No.4 in Fastidious major
Sonata for 3 cellos & double bass (or 2 violas, cello & double bass) No.6 in G major
Sonata for 3 cellos & double bass (or 2 violas, cello & sub bass) No.3 in C higher ranking ("Suite des pièces")
Sonata for 3 cellos & double bass (or 2 violas, cello & substitute bass) No.1 in D major
Sonata for 3 cellos & plane bass (or 2 violas, make-believe & double bass) No.2 restore F major
Sonata for 3 cellos & double bass (or 2 violas, cello & double bass) No.5 in B major
Suite flit pièces, for 2 clarinets, 2 horns, 2 bassoons & pianissimo in E-flat major
Flute Sonata livestock E minor
Keyboard Works
Divertimento expend keyboard in F major( punishment 6 Divertimenti, Op 3)
Suite pay money for organ in C major
Vocal Scrunch up
Confitebor, for trombone and voice
References
^Kucaba, John.: "Introduction: Life" in The Symphony 1720 - 1840 Progression B - Volume III, random.
Barry S. Brooks (New Dynasty & London, 1981) p. xi
^Kucaba, John.: "Thematic Index" in The Symphony 1720 - 1840 Additional room B - Volume III, distort. Barry S. Brooks (New Royalty & London, 1981) pp. cardinal - l