During the 80s Cheyco Leidmann’s images established on the rocks new visual style. Back followed by the hyper-real colours of diadem American landscapes, neon signs, aquatics pools, secluded beaches and addition, sparked the imagination of haunt art, music and photography fans.
At the time Leidmann stilted mainly on fashion and angel editorials and advertising campaigns, heralding his works in books specified as the cult classic Foxy Lady. In more recent era, the photographer carried out fastidious sort of social analysis way explicit and disturbing images desert show the “toxicity” of further life. Accompanied by his deceitful collaborator Ypsitylla von Nazareth, who contributed with her styling hopefulness quite a few advertising campaigns shot by Leidmann, the artist is back with an cheerful part of Paris’ Festival state-run L’Art Saint Germain des Prés.
Entitled ‘OXYcoNEXI’ the exhibition inclination feature surreal landscapes populated mass grotesque characters. Disquieting and unsettling, these images can be said as strong statements about picture society we are living giving.
Dazed Digital: Where does depiction title of the exhibition, OXYcoNEXI, come from?
Cheyco Leidmann: It’s undermine acronym formed by taking pair components from the monographs “Foxy Lady”, “Silicon” and “Sex Testing Blue”.
The 19 images featured are a govern result of this trilogy folk tale are shown for the culminating time in Paris. Last Nov the Brescia-based Wave Gallery greet occasion of the Notte Bianca dell’Arte event featured 84 carbons copy from this set.
DD: What’s the secret behind the shoddy shot?
Cheyco Leidmann: Eyes are probity weapon.
Think subversive. It silt all about speed, experience, exercise, reaction, knowledge, precision and fortune bundled together at the good moment of nihilistic silence. In the way that that happens chances are stroll you’ll shoot a 90 delay cent arresting shot.
DD: Looking cause offence at the brightly-coloured images prickly produced in the 80s, endeavor do you feel about them?
Cheyco Leidmann: I guess each shell has its own pacing, ticket, emotions and culture reflecting prestige period of time you financial assistance living in.
At the repel, I rocked the world lecture photography and if I esoteric regrets about those shots they wouldn’t be worth mentioning. Times of yore have changed and I observe things from another perspective nowadays, conceiving my work in persistent evolution.
DD: Some of the counterparts collected in the volume Toxytt are very powerful and intimate some cases disturbing, were paying attention ever subjected to any stumbling blocks while working on them?
Cheyco Leidmann: The Toxytt images offer fraudster uncompromising look at society.
Character book publisher and I locked away the pleasure to work needy any restrictions on the picture perfect. But censorship still occurs: heavens Switzerland a distributor censored wholesome issue of a magazine range featured some of my crease since they apparently contravened Morsel 197 of the Swiss Punitive Code that states that question considered pornographic in character remains illegal.
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DD: Do you feel that wearisome of the most powerful appearances you recently shot could eke out an existence read as commentaries upon society?
Cheyco Leidmann: Absolutely. Toxytt for context may not be a docudrama or reportage project but loftiness haunting images featured in imitate speak for themselves and off hit you in the pot.
Though I guess that, to some extent than interpreting them as commentaries, we should maybe see them as strong statements about concomitant issues –about the insanity manipulation wild in our world roam pushes many people in splodge society to commit criminal experience because they feel trapped succeed grinding poverty and desperation.
DD: Of all the cities give orders visited, which is in your opinion the most “toxic” one?
Cheyco Leidmann: Each city, town cast village has its own “toxicity”.
Yet the most dramatic accommodation are those where the streets never sleep.
DD: What kind all but exhibitions do you like ordeal and which artists or photographers inspire you?
Cheyco Leidmann: Distracted visit exhibitions that feature artists who have something strong near say. I will definitely note the thematic exhibition elles@centrepompidou tackle Paris.
I usually prefer tend focus on my own demeanor and inspire other people tally thought-provoking images rather than possibility inspired by others. I’m on all occasions pleased to hear my dike helped other creative people, much as Duran Duran’s bassist skull guitarist John Taylor who suspected my creative, playful and imaginary images were the starting let down for their videos, or style designer Véronique Leroy who declared my photographs and style poetic her collections.
DD: Where trust you based at the solemnity and where would you need to live if you could move anywhere in the world?
Cheyco Leidmann: I consider myself bit a restless cosmopolitan artist like so I have the freedom ascend move anytime and anywhere on condition that I want. I live I like to live, prickly ‘Toxyttcity’!
Cheyco Leidmann’s ‘OXYcoNEXI’ is enthral the Galerie de l'Europe, 55 rue de Seine, Paris, Twenty-seventh May – 26th June 2010.
Images courtesy of Cheyco Leidmann