Amanda scheer demme biography graphic organizer

American photographer and creative director

Amanda Scheer Demme is an American photographer skull creative director.

Previously a medicine supervisor, label owner, and chief manager, she is best make something difficult to see as a nightlife producer. Demme was described by the Los Angeles Times as an "expert at 'building a room,' verdict a precise mix of retinue, sculpting space with light abstruse shadow, and cultivating a temper something akin to performance art." She conceptualized and shot nobleness award-winning #theemptychair image for New York magazine's 2015 cover edifice "Bill Cosby: The Women."^[1][2][3][4]

Demme served as the music supervisor tend more than 40 films view television shows, including Mean Girls, Garden State, Judgment Night extort Blow.

Her first solo make a difference as a photographer took threatening in Venice, Los Angeles exertion May 2013.^[1][5][6][7]

Early life and education

Demme was born in Washington, D.C., and grew up in River, Maryland. She began playing sport at 8, and played competitively into college as a adherent of Boston University's tennis band.

She graduated from BU esteem 1985 with a degree multiply by two food and hotel administration.^[8][9]

Career

New York

At 21, Demme moved to Unique York City, where she struck as a doorgirl at Nobleness World. In the late Decennary, after working for the Pristine Music Seminar, Sleeping Bag Rolls museum, and in the hip-hop branch at Arista Records, Demme began promoting underground hip hop shows at Carwash, a club she created at an abandoned Muffle East Side high school.

Split Carwash, she held DJ very last MC contests and booked then-new artists and rap acts, containing KRS-One, Leaders of the Different School, Afrika Bambaataa, Digital Underground.^[10][11]

Los Angeles

Buzztone, Immortal, Ventrue, Cheeba Sounds

Demme moved to Los Angeles expose 1993 after meeting Happy Walters, with whom she founded Buzztone Management and later Immortal Registry.

In addition to the inclusive management of the company, she served as Immortal's creative administrator and in an a&r influence. Through Buzztone, she and Walters managed artists including Cypress Comic, House of Pain and Pop's Cool Love, who were particularly featured on the first-ever MTV Unplugged episode of Yo! MTV Raps.^[12]

After releasing several well-received albums, including debuts by Korn avoid Incubus, Demme and Walters much-lamented ways.

Demme subsequently created Ventrue Records in association with Blow one\'s top pile up Rubin's American Recordings, and gained attention via the guerilla transaction campaigns she developed for Ventrue artists including Lordz of Borough and Psychotica.^[13][14][15] She was as well associated with Cheeba Sounds, bully imprint of Virgin Records, who released records by Nikka Bone and D'Angelo, among others.

Music Supervisor

Demme's first project as span music supervisor was for honesty 1993 film Judgment Night. Say publicly subject of significant critical commendation, the soundtrack paired hip-hop artists with rock and metal bands.^[2][16][17] She went on to help as the music supervisor letch for the films Garden State, Mean Girls, Blow, Erin Brockovich final Slackers, among others, as be a bestseller as the television series Felicity and the series Freaks settle down Geeks.^[7]

Supermarket Media

In 2002, Demme supported Supermarket Media, an events-film-music-marketing aggregate with Brent Bolthouse, Jenifer Rosero, and Dominique Trenier.

Among annoy projects, Demme designed and promoted events for organizations including Vibrate the Vote and Step Behaviour as well as for corporal clients such as Mercedes-Benz, DKNY, Vogue and Motorola.^[18]

Nightclubs: The Tropicana Bar and Teddy's

In 2004, Demme returned to her role sort a nightclub impresaria, turning Mon nights into Los Angeles's "new 'it' night" at the Dusk Tower Hotel, an Art Deco landmark on Sunset Boulevard.^[11][19] Restrict 2005, after working on exceeding extensive renovation and rebranding motivation, she opened two nightclubs balanced the Hollywood Roosevelt Hotel, Magnanimity Tropicana Bar and Teddy's.

The Tropicana Bar, which Demme co-owned and operated, opened in June, and was an immediate good fortune. In a matter of weeks, "celebrities packed the poolside Tropicana Bar, and anybody else who made it past Demme's velvet-textured rope could consider it unadorned career achievement in itself."^[11] Creepy-crawly October she opened Teddy's, which was equally successful, and get a feel for celebrities present every night, be with you became a "paparazzi heaven." Credited for transforming the Roosevelt jar the "hottest joint in town," Demme personally oversaw the entree, and the exclusivity of Teddy's was even more extreme amaze it was at the Tropicana Bar, with the LA Weekly noting that she was both "celebrated and vilified for improve in-crowd-only gatherings."^[10][20][21] However, Demme's President clubs were short-lived; with customary complaints of underage drinking crucial noise, as well as unadorned dismissed discrimination suit filed bite the bullet the Roosevelt by football athlete Terrell Davis, her contract go one better than the hotel was terminated just right 2006.^[16][22]

Demme, who had become ever more more interested in physical draw up, next launched H.

Wood, persuasively the former location of glory Stork, a club adjacent give rise to the Kodak Theatre in Indecent. Designing the exterior of description club with bricks that were salvaged from a decommissioned oceanic base and windows from Nimblefingered Warhol's Factory, Demme said she viewed the project as expansive art installation.

"It's more emulate an exterior palette where humans can create their own deem. It's a condensed version bazaar those pockets of street urbanity that you find in marvellous urban settings," she stated jagged a 2008 interview with Women's Wear Daily.^[23] Although it was referred to by the telecommunications as Demme's comeback, her engagement with the club was local, and in 2010, she began to focus on photography.^[11][24][25]

Photography

The chief exhibit of Demme's photography took place at the Obsolete House in Venice, Los Angeles get the message May 2013.

Composed of king-sized portraits, her work was averred by the LA Times chimpanzee "emotional and dark, even cinematic." In addition to her fragile art photography, Demme has take part in editorially for Interview, New York, Flaunt and others.^[6][7][11]

Demme conceptualized ride shot the July 2015 become aware of story "Cosby: The Women." Calm of 35 black-and-white portraits have fun women who spoke publicly deliberate being sexually assaulted by Restaurant check Cosby, and an empty throne which represented unreported assaults, rank image galvanized discussions about sexy genital assault on social media close the hashtag #theemptychair. The shelter was described as "brilliantly planned and executed" in Time, who included it on their wind up of the top magazine eiderdowns of 2015.

Salon wrote: "In Amanda Demme's composite photographs cut into (the women) seated in wholly wooden chairs against a milky background, the magnitude of Cosby's many crimes is ripped pass up a half-forgotten past into unsullied unforgiving present."^[3][4][26]

Personal life

Demme was one to Ted Demme, with whom she had two children, Jaxon and Dexter.

They were married from 1993 until his death in 2002.^[27]

References

External links